untitled II
untitled II

White Noise series

White Noise
White Noise

36x24”

Oil on Mylar

sold.

The ‘White Noise’ series is a way to process and bring beauty to something that didn’t feel beautiful to me. This body of work investigates my relationship with my sudden deafness. When my hearing dropped I began to experience a different relationship with sound and became interested in the simplicity of movement. I developed a phantom sound called tinnitus; a persistent, loud and unrelenting radio static. The paintings are calm, with muted colours and minimal lines to pare back the excess and focus on what can be said through simplifying movements.

White Noise detail
White Noise detail
I Can't Hear You Walking Away
I Can't Hear You Walking Away

Detail

untitled III
untitled III

White Noise series

Lights On
Lights On

12x9”

Oil on Mylar

The ‘White Noise’ series is a way to process and bring beauty to something that didn’t feel beautiful to me. This body of work investigates my relationship with my sudden deafness. When my hearing dropped I began to experience a different relationship with sound and became interested in the simplicity of movement. I developed a phantom sound called tinnitus; a persistent, loud and unrelenting radio static. The paintings are calm, with muted colours and minimal lines to pare back the excess and focus on what can be said through simplifying movements.

Pardon
Pardon

36x24”

Oil on Mylar

The ‘White Noise’ series is a way to process and bring beauty to something that didn’t feel beautiful to me. This body of work investigates my relationship with my sudden deafness. When my hearing dropped I began to experience a different relationship with sound and became interested in the simplicity of movement. I developed a phantom sound called tinnitus; a persistent, loud and unrelenting radio static. The paintings are calm, with muted colours and minimal lines to pare back the excess and focus on what can be said through simplifying movements.

Trim Your Moustache
Trim Your Moustache

White Noise series

Eye Contact
Eye Contact

White Noise

12x9”

Oil on Mylar

The ‘White Noise’ series is a way to process and bring beauty to something that didn’t feel beautiful to me. This body of work investigates my relationship with my sudden deafness. When my hearing dropped I began to experience a different relationship with sound and became interested in the simplicity of movement. I developed a phantom sound called tinnitus; a persistent, loud and unrelenting radio static. The paintings are calm, with muted colours and minimal lines to pare back the excess and focus on what can be said through simplifying movements.

Clearly
Clearly

White Noise series

Listen Closely My Dear
Listen Closely My Dear

12x9”

Oil on Mylar

sold.

The ‘White Noise’ series is a way to process and bring beauty to something that didn’t feel beautiful to me. This body of work investigates my relationship with my sudden deafness. When my hearing dropped I began to experience a different relationship with sound and became interested in the simplicity of movement. I developed a phantom sound called tinnitus; a persistent, loud and unrelenting radio static. The paintings are calm, with muted colours and minimal lines to pare back the excess and focus on what can be said through simplifying movements.

Untitled
Untitled

White Noise series

Read My Lips
Read My Lips

12x9”

Oil on Mylar

The ‘White Noise’ series is a way to process and bring beauty to something that didn’t feel beautiful to me. This body of work investigates my relationship with my sudden deafness. When my hearing dropped I began to experience a different relationship with sound and became interested in the simplicity of movement. I developed a phantom sound called tinnitus; a persistent, loud and unrelenting radio static. The paintings are calm, with muted colours and minimal lines to pare back the excess and focus on what can be said through simplifying movements.

I Can't Hear You Walking Away
I Can't Hear You Walking Away

12x9”

Oil on Mylar

sold.

The ‘White Noise’ series is a way to process and bring beauty to something that didn’t feel beautiful to me. This body of work investigates my relationship with my sudden deafness. When my hearing dropped I began to experience a different relationship with sound and became interested in the simplicity of movement. I developed a phantom sound called tinnitus; a persistent, loud and unrelenting radio static. The paintings are calm, with muted colours and minimal lines to pare back the excess and focus on what can be said through simplifying movements.

Listen Closely My Dear
Listen Closely My Dear

Detail

The Profile Mural
The Profile Mural
The Profile Mural
The Profile Mural
The Profile Mural
The Profile Mural

detail

The Profile Mural
The Profile Mural

detail

You Don't Look Deaf
You Don't Look Deaf

Lightbox - off

oil on mylar

You Don't Look Deaf
You Don't Look Deaf

Lightbox- on

oil on mylar

untitled II
White Noise
White Noise detail
I Can't Hear You Walking Away
untitled III
Lights On
Pardon
Trim Your Moustache
Eye Contact
Clearly
Listen Closely My Dear
Untitled
Read My Lips
I Can't Hear You Walking Away
Listen Closely My Dear
The Profile Mural
The Profile Mural
The Profile Mural
The Profile Mural
You Don't Look Deaf
You Don't Look Deaf
untitled II

White Noise series

White Noise

36x24”

Oil on Mylar

sold.

The ‘White Noise’ series is a way to process and bring beauty to something that didn’t feel beautiful to me. This body of work investigates my relationship with my sudden deafness. When my hearing dropped I began to experience a different relationship with sound and became interested in the simplicity of movement. I developed a phantom sound called tinnitus; a persistent, loud and unrelenting radio static. The paintings are calm, with muted colours and minimal lines to pare back the excess and focus on what can be said through simplifying movements.

White Noise detail
I Can't Hear You Walking Away

Detail

untitled III

White Noise series

Lights On

12x9”

Oil on Mylar

The ‘White Noise’ series is a way to process and bring beauty to something that didn’t feel beautiful to me. This body of work investigates my relationship with my sudden deafness. When my hearing dropped I began to experience a different relationship with sound and became interested in the simplicity of movement. I developed a phantom sound called tinnitus; a persistent, loud and unrelenting radio static. The paintings are calm, with muted colours and minimal lines to pare back the excess and focus on what can be said through simplifying movements.

Pardon

36x24”

Oil on Mylar

The ‘White Noise’ series is a way to process and bring beauty to something that didn’t feel beautiful to me. This body of work investigates my relationship with my sudden deafness. When my hearing dropped I began to experience a different relationship with sound and became interested in the simplicity of movement. I developed a phantom sound called tinnitus; a persistent, loud and unrelenting radio static. The paintings are calm, with muted colours and minimal lines to pare back the excess and focus on what can be said through simplifying movements.

Trim Your Moustache

White Noise series

Eye Contact

White Noise

12x9”

Oil on Mylar

The ‘White Noise’ series is a way to process and bring beauty to something that didn’t feel beautiful to me. This body of work investigates my relationship with my sudden deafness. When my hearing dropped I began to experience a different relationship with sound and became interested in the simplicity of movement. I developed a phantom sound called tinnitus; a persistent, loud and unrelenting radio static. The paintings are calm, with muted colours and minimal lines to pare back the excess and focus on what can be said through simplifying movements.

Clearly

White Noise series

Listen Closely My Dear

12x9”

Oil on Mylar

sold.

The ‘White Noise’ series is a way to process and bring beauty to something that didn’t feel beautiful to me. This body of work investigates my relationship with my sudden deafness. When my hearing dropped I began to experience a different relationship with sound and became interested in the simplicity of movement. I developed a phantom sound called tinnitus; a persistent, loud and unrelenting radio static. The paintings are calm, with muted colours and minimal lines to pare back the excess and focus on what can be said through simplifying movements.

Untitled

White Noise series

Read My Lips

12x9”

Oil on Mylar

The ‘White Noise’ series is a way to process and bring beauty to something that didn’t feel beautiful to me. This body of work investigates my relationship with my sudden deafness. When my hearing dropped I began to experience a different relationship with sound and became interested in the simplicity of movement. I developed a phantom sound called tinnitus; a persistent, loud and unrelenting radio static. The paintings are calm, with muted colours and minimal lines to pare back the excess and focus on what can be said through simplifying movements.

I Can't Hear You Walking Away

12x9”

Oil on Mylar

sold.

The ‘White Noise’ series is a way to process and bring beauty to something that didn’t feel beautiful to me. This body of work investigates my relationship with my sudden deafness. When my hearing dropped I began to experience a different relationship with sound and became interested in the simplicity of movement. I developed a phantom sound called tinnitus; a persistent, loud and unrelenting radio static. The paintings are calm, with muted colours and minimal lines to pare back the excess and focus on what can be said through simplifying movements.

Listen Closely My Dear

Detail

The Profile Mural
The Profile Mural
The Profile Mural

detail

The Profile Mural

detail

You Don't Look Deaf

Lightbox - off

oil on mylar

You Don't Look Deaf

Lightbox- on

oil on mylar

show thumbnails